Pattern Review: Vogue V1550 Tunic/Pants


Pattern Description: From Vogue Patterns’ website, “Semi-fitted, pullover tunic have contrast inset at center front, contrast binding and uneven hemline: wrong side of fabric will show. Loose-fitting pants have no waist band. C: Contrast insets and binding. D: Contrast binding.”

I made View A, the shorter tunic, along with View D, the longer pants.

Sizing: 6-22. I made a 12 for the tunic, and a 14 for the pants, though I think I could have used size 12 all the way through with no ill effects.

Available as a PDF? Doesn’t look like it.

Fabric Used: Soft Shirt-Weight Linen in Heathered Brown for the garment, paired with Couture Wide Silk Organza in Chocolate. Both from Gorgeous Fabrics, natch.

Machines and Tools Used: Pfaff 2030 for the bulk of the work, Juki MO654DE to finish the seams, Reliable Iron/Board, tailor’s ham, silk organza press cloth, shoulder stand.

Needle/Notions Used: Universal 70/10 needle, Pro Tricot fusible interfacing from Fashion Sewing Supply, zipper, thread, beeswax, Japanese hand sewing needles and Japanese cotton basting thread from Susan Khalje,.

Tips Used during Construction: Anything by The Pressinatrix, The Case for Muslins, Using Pins to Mark Start/Stop Points, J? Or L?

Did it look like the photo or drawing when you got through? Yes

Fitting Adjustments that I made I checked the pattern measurements and determined that I would need a FBA.

I made a muslin of the result, and I was happy with it (you can see it in my Instagram Feed), so I started in on the linen.

How were the instructions? They were GREAT!!! Seriously, and you know how fussy I am about instructions. The drafting and instructions for doing the mitered corners on the tunic make this pattern a must-buy for anyone, IMO.

The BEST instructions for mitering corners that I have ever seen.

True confession – I lost the second sheet of instructions and they didn’t show up until I had finished and cleaned up my sewing area, so I didn’t use them for the bulk of the pants construction, but the pants are beautifully drafted and went together without a hitch. Also, when I did find the instructions, I checked them out and the second page is just as good as the first.

Construction Notes: As mentioned above, I made a FBA. I finished the facings, per the instructions, with a Hong Kong finish using bias cut silk organza. To tell you the truth, I didn’t bother using the pieces provided in the pattern for the bias binding, I just cut long 1 ¼ inch bias strips and that did the trick. I used the serger to finish all the seams.

Finishing on facings and seam allowances

I didn’t have a brown invisible zipper handy, so I did a lapped zipper application instead. It’s not my absolute best work, but it will be hidden under the tunic, so I decided it was Good Enough.

There is one thing I would probably do differently next time. The neckline is cut on the bias, so I recommend staying the front neckline with a selvage of silk organza or a twill tape. It is faced, and the facing is interfaced, but I think that a bulk-free stay with organza would also help keep it from distorting.

Likes/Dislikes: I LOVE this pattern! It’s chic, and looks great on a variety of body types. The mitering instructions alone justify purchasing this pattern, but the rest of it is great, too. I’m going to wear this as separates as well. The tunic will look great over leggings, and the pants work beautifully with a tank or tee.

Here are some styling suggestions:

With heels (Vince Camuto)
With flats (Stuart Weitzman)
Just the pants, paired with a tank (Loft)

Would you do it again? Would you recommend it? I DEFINITELY recommend it! I may do it again. You know what would be fabulous for the holiday season? Make this using 4-ply silk crepe. Oo la la!

Conclusion: I love this pattern. It’s very Balenciaga-goes-Japonesque. It’s rated as Average, but I think it is suitable for advanced beginner or beyond.

A Note About Blogging
I feel like this poor blog has been suffering benign neglect of late. I am much more active these days on Instagram, where you can see my work-in-progress pictures. I am not giving up blogging. As I complete projects I’ll post them here, but you’ll see me more actively over on IG. You can check it out from the web, without having to set up an account. Click Here to find me on Instagram.

Happy sewing!

Vogue 1527 Paco Peralta Coat – The Graduation Edition

Happy May, everyone! It’s been a busy several weeks, with work, teaching a very fun seminar (“The Pressinatrix Live!”) for ASDP, and all sorts of things going on. One of the biggest things that is coming up is that DS the Elder is about to graduate from college.

Oh. My. God.

YAY!!!!!

And of course, I had to make something to wear. I made my Butterick 6446 Dress for Easter, but Easter here in Boston was 87 degrees, and we had dinner out on the deck, so rather than sweating in my new dress I decided to save it for wearing to the graduation. Now, since mid-May Boston weather is notoriously fickle, I wanted to make something to wear over it, and after some thought I decided to make a spring version of Paco Peralta’s V1527. I’ve made this before in a heavy wool crepe, so I didn’t make any major changes. I’ll highlight the few differences. First, I shortened it by about an inch.

I made this version from a twill satin from Gorgeous Fabrics. That is long since sold out, but you can find Similar Fabrics Here. It’s got a lot of body, and it stands away from the body. It’s not heavy but it has a pretty stiff hand. This fabric, while lovely, was NOT interested in easing.

At. All.

It doesn’t shrink and while it didn’t catch and get tucks under the stitching, it also wouldn’t ease into the armhole smoothly. If I were to do it again, I would probably do a slightly different sleeve-head treatment – maybe a darted sleeve head. As it is, it turned out okay, but I’m not really happy with it. You can see why in the detail shot of the shoulder:

I moved the buttonholes on the sleeve up about an inch, per Tany’s recommendation.

The buttons came from a dress manufacturer in NY who, alas, has gone the way of most of the garment center factories.

I didn’t do a contrast collar inset, so I used contrast buttons instead.

I lined it with Rayon Twill Lining in Off White.

Other than that, I didn’t make any major changes. Once again, this pattern is a winner. I would make it again and I definitely recommend it. Here are pictures of the finished version on Shelley.

You know, while I made this coat, I realized that in a white or ivory silk satin, this would make a spectacular wedding coat. So if you’re thinking in that direction…

I’ll post some on me next week after graduation.

Happy sewing!

Pattern Review: Vogue V1527 View B Blouse

Long one coming up! I love this type of blouse, and I have since I was young. When I saw Paco had included it as part of his Vogue Pattern V1527 I knew I would have to make it. Then this silk came across my desk and the rest is history…


Pattern Description: (From Vogue’s website) Loose-fitting blouse has collar extending into tie, back yoke extending into forward shoulder seams and French cuffs.

Sizing: 4-18, I made a 12

Available as a PDF? No

Fabric Used:

Note: Theresa pointed out that the pattern requires 3.5 yards and that seems like a lot. I pulled 3.5 yards per the instructions and I have a solid yard left over.  I think the yardage requirements are wrong. Do yourself a favor, especially if you have an expensive fabric, and measure the pattern. Realistically, on a size 12 body, 2.5 yards  of 45 inch fabric should do a blouse unless you have a very large print that you are trying to match.

White 3-ply Silk Crepe from Gorgeous Fabrics. Silk crepe is my favorite fabric to work with! This fabric is SOOOOOOO amazing. It’s got a heavy, luxurious drape to it, and it feels amazing. Swoon! I also used Wide Silk Organza – Off White for the cuffs (more on that later).

Even better, both these fabrics are still available! That almost never happens. I usually don’t get the chance to sew something until the fabric is long since sold out, so it’s a treat to show you a fabric that’s on the site. Did I mention we have our 10th anniversary sale going on right now? Get 10% off, plus US shipping is flat $10, regardless of how much you order! International peeps get a $10 gift certificate upon ordering, good for a future purchase.

Machines and Tools Used: Pfaff 2030, Juki MO654DE serger, Reliable iron and board, sleeve board, ham/stand, shoulder stand, pressing finger, bamboo chopstick, point presser.

Needle/Notions Used: Universal 60/8 needle in the sewing machine, Universal 70/10 needles in the serger. Vilene Shirt interfacing (a gift from Paco Peralta last year), pearl buttons, self-covered buttons, basting thread, thread, hand needles.

This interfacing isn’t available in the US, but any good shirt-weight interfacing will work as well.

Tips Used during Construction: Anything by The Pressinatrix, of course. Scary Silks,

Did it look like the photo or drawing when you got through? Yes.

How were the instructions? They were fine. This is not a terribly difficult pattern. The fabric choice can make it tricky to work with, but it’s a good pattern for anyone who’s been sewing for a while. If you’re intermediate level you should have no trouble with this.

Construction Notes: I made a muslin to check the fit. It went together pretty readily, but I noticed that the bust point on the pattern was really high:

What the Whut?

The pattern bust point marking is 8 inches from the shoulder line. I checked it against the printed pattern to make sure I didn’t make a transfer error. Nope. 8 inches. I don’t know anyone over about age 10 who has a bust apex 8 inches below the shoulder line.

I tried the muslin on to see if it mattered, and there was a slight drag line between the bust point and the armscye, so yes, it does make a difference, especially if you are large busted. I made a small FBA, mostly to drop the bust point down to where it should be. Drag line gone. I also shortened the sleeves about 5/8 inch, which is not unusual for me with Vogue patterns.

Vogue recommends lightweight fabrics like crepe de chine or charmeuse for this pattern. Because my silk crepe was heavier than recommended, I made some modification to the construction. They have you use French seams for the sleeve and side seams. I did a mockup to see what I thought of it with my 3-ply crepe.

There’s 4 layers of fabric in a straight seam like this.

With this fabric, that would put 8 layers of fabric into the seam at two points – where the yoke joins to the front and back. That’s a lot of bulk, so I decided instead to use standard 5/8 inch seam allowances and finish the raw edges with a 4-thread overlock.


This is a judgement call. If I had used a georgette or charmeuse, the French seam would be great, and would give an elegant finish. But my fabric was heavy enough that I think it would have been a bit of a disaster. I heartily recommend doing mockups with scraps when you are dealing with situations like this.

The pattern recommends using fusible interfacing. I decided instead to use sew-in interfacing. The Vilene that I used is nice and crisp, but I wanted to avoid bulk in the seams, so I cut both the Vilene and I also cut silk organza. I stitched the Vilene to the organza just outside the seamlines. I trimmed the Vilene close to the stitching, leaving just the organza seam allowances. Voila, less bulk!

Stitched Vilene to organza on the bottom, Vilene trimmed from the seam allowances on the top.

I used purchased pearl buttons for the front closure

I made self-covered button cufflinks. I fused a scrap of lightweight interfacing to the silk to give it a bit more support and to make it easier to cover the buttons.

Likes/Dislikes: I love this pattern! It was a pleasure to sew, and the fabric was a joy to work with. The pattern is beautifully drafted and goes together without a hitch. Do test runs of your seams to see how the French seam works with your fabric.

Would you do it again? Would you recommend it? Yes I would, and yes I do! This is another winner from Vogue and Paco.

Conclusion: A beautiful classic, something that I will wear for years to come. At some point I’ll get a shot on me, but here it is on Shelley:

Happy sewing!

Pattern Review: Vogue V1527 Paco Peralta Tuxedo Jacket

First up, I hope all my friends who celebrate it had a WONDERFUL Thanksgiving! It was delightful to have the kids home. Both our boys were off from college all week, so we got to spend lots of time with them. Last night was really wonderful, because a bunch of their friends came over and we made homemade pizzas. The house was filled with laughter and happiness.

Second, this is a long post, so grab a cuppa or a glass and settle in. And just to add the normal disclaimer, Paco is a very dear friend. I bought this pattern without any urging from him, and I get nothing from anyone for doing this review. So here we go!


Pattern Description: From Vogue Patterns’ website, “Semi-fitted lined jacket has princess seams, single-button closure, shawl collar, in-seam pockets, two-piece sleeves, back vent and contrast inset. Loose-fitting blouse has collar extending into tie, back yoke extending into forward shoulder seams and French cuffs. Semi-fitted skirt has back invisible zipper.”

I made the jacket- though I refer to it as the tuxedo coat.

Sizing: 4-18. I made the 12.

Available as a PDF? No

Fabric Used: Ralph Lauren Wool Double Crepe – Black for the body, Silk/Wool Satin- Black for the contrast lapels, Iridescent Rayon Twill Lining – Ruby for the lining.

BTW – we’re having a huge Moving Sale at Gorgeous Fabrics right now, and almost everything is 40% off store-wide. Just sayin’…

Machines and Tools Used: Pfaff 2030, Reliable iron and ironing board, sleeve board, shoulder stand, ham, silk organza press cloth, clapper.

Needle/Notions Used: Buttons that my dear friend Rosie brought back from Paris for me a while back. Hair canvas interfacing that was in my stash (not sure where I got that one from, sorry), 1/2 inch Tailor’s Set-in Shoulder Pads, sleeve heads that Paco sent me ages ago, thread.

Tips Used during Construction: Pretty much anything from The Pressinatrix, Make the Lining First, Using Pins to Mark Start/Stop Points, How to Use Sleeve Heads and Chest Shields, Setting a Sleeve into an Armhole.

Did it look like the photo or drawing when you got through? Yes!

How were the instructions? Not great: I had several issues. I’ll send this list to McCalls to let them know as well.

Problem 1: There are 8 pages of instructions. I got pages 1/2, 3/4, 5/6 and another 5/6. I didn’t get 7/8.

Whoops
Whoops

I understand from several friends who have this pattern that they had the same issue. Paco sent me a picture of the last two pages of instructions, and I’ll ask McCalls to send me a copy of the PDF so I have a complete set.

Problem 2: The instructions and pattern markings conflict on the front interfacing.

So which is it? Interface the whole front, or just interface the facing?
So which is it? Interface the whole front, or just interface the facing?

The cutting instructions tell you to interface the entire front piece. But the pattern piece, and the illustrations in steps 3 and 5 all indicate that you only interface the facings. The ultimate answer to the question, “Well, which is it?” depends on your fabric and interfacing. In my case, I knew I only wanted to interface the facing. But that’s because I know what I’m doing.

Problem 3: The instructions omit one small but potentially crucial step. After step 8, clip the seam allowance to the stitching line at the small dots and press open. If you construct the buttonholes and follow the illustrations as written you’ll block the hole.

Another whoops
Another whoops

Problem 4: The instructions don’t explicitly tell you to hem the sleeves. They have you baste the sleeves , then they tell you to attach the lining to the sleeve at the hem.  This will give you a wibbly wobbly hem, especially after putting the jacket on and taking it off a few times. I hemmed the sleeve attaching the lining to it. Doing this will give you a crisper finish that will withstand wear and tear better.

Much as I love Vogue Patterns, I’m going to lay the blame for this at their feet. I’m pretty sure Paco didn’t write the directions, and even if he did, someone at Vogue should have caught the discrepancies before publishing them.

Construction Notes: I Made Two Fitting Muslins to get the fit the way I want. It was pretty good out of the envelope, but to make it better I did a FBA

This is a cleverly disguised princess line, so it's pretty easy to adjust
This is a cleverly disguised princess line, so it’s pretty easy to adjust

and I added about 1 inch around at the waist, sigh… Other than that, I didn’t make any major sizing changes.

I inserted sleeve heads to support the shoulder/sleeve.

Top: inside. Bottom: outside
Top: inside. Bottom: outside

After making the buttonhole, I decided that I didn’t want a small button. Rather, I wanted a statement button, so I closed up the buttonhole and I used a snap closure and stitched the button on. (Yah, I know – it’s a men’s-style close. Sue me.)

Good lord, Black is hard to photograph!
Good lord, Black is hard to photograph!

I used the smaller buttons (which fit through the buttonhole) on the sleeves. Here’s a picture of the buttons so you can see the details.

Couture Buttons!
Couture Buttons!

Likes/Dislikes: Instructions aside, I LOVE this pattern! The lines are beautiful, it makes me look long and lean. It’s fabulous. Period.

The dislike is the instructions. That’s fixable. As long as the pattern is well drafted (it is!) and the fit is reliable (it is!) you can work around the instructions.

Would you do it again? Would you recommend it? I probably won’t do it again. How many of these does one need? But I am saving this in case I change my mind, and I DEFINITELY recommend it. This is one that will stretch your abilities and give you a beautiful result. Make a muslin, that’s my biggest recommendation.

And of course, now that I’m thinking about it, I do have a pink duchesse satin that would look fabulous in this design for Easter. Maybe with some of the silk satin left over from my Wedding Gown Refactor as the lapels. Hmmmm…

Conclusion: A great pattern. Keep in mind the instructions issues and power through and you be rewarded with a great garment! Here are pictures on Shelley. I’ll get pictures on me later this week.

Front
Front
Had to overexpose the back to get any detail, and still...
Had to overexpose the back to get any detail, and still…
Side view – love this sleeve!
Overexposed to show the seams
Overexposed to show the seams
And the subtly contrasting lining - love it!
And the subtly contrasting lining – love it!

I am so happy with this jacket! Hopefully I haven’t put you to sleep. And as a parting shot, here’s Hoover saying “I like the holiday season.”

It's a dog's life
It’s a dog’s life

Happy sewing!

Gorgeous Fabrics/Pattern Pairings for Sewing Inspiration

One of the things customers tell me they really like about Gorgeous Fabrics is our recommendations for patterns to pair with our fabrics. It’s one of the more fun aspects of my job, so today, I’ll talk about some of the newer patterns that have hit the market, and give you some suggestions for Gorgeous Fabrics that I think will work spectacularly well with them. Enjoy! -Ann

Dress for Success
cashmerette-pairing It’s heading into cooler weather here in the US, while our friends in the southern hemisphere are starting to warm up. A great silhouette that works for almost all seasons is the classic wrap dress. And one of the favorites of our customers is the Appleton Dress from Cashmerette. This great take on the look is perfectly suited to any of our ITY or rayon jerseys. It’s even a brilliant choice for some of our stretchier rayon doubleknits. Those will give you options for cooler weather. The three perfect pairings I’ve picked for this dress include, from the top:

Any of these will give you everything from work-ready to holiday party options!

Button Up Your Overcoat…
ccf-kelly-pairingOne of the hottest looks in outerwear right now is the anorak jacket. Closet Case Files just released their Kelly Anorak, and it’s got all the details you want! While traditionally thought of as cold-weather or rain gear, this jacket is more versatile – just think a little outside the box! You can, of course, make it into a hard-working, long-wearing coat for cooler weather, but it also makes a surprisingly elegant turn for an evening or dressier look with different fabrics. Try a satin or taffeta version for a fun, designer-inspired look! Check out these two options for dressing down or dressing up:

It’s Jean-etic
georgie-pairingI can’t live without my jeans. Even though I love dressing up, jeans are my go-to garment on many days. There are tons of great jeans patterns available to the home-sewing enthusiast, from classic 5-pocket versions to the more athleisurely take on the look: pull on stretch jeans. StyleArc has come out with a great pattern for this comfortable wardrobe staple, the Georgie Stretch Woven Jean. Make a “classic” take on it with:

For a bright look that will enliven any wardrobe:

Jacked Up Jackets
m7513-pairingA great jacket or blazer is a cornerstone of any wardrobe, and as sewing enthusiasts, we can make all different styles! One that just came on the market is McCalls M7513 Peplum Jacket. I really love that this pattern gives you both sleek and “foofy” options for the peplum, so you have lots of variety by varying peplum and fabric. From a tailored version with wool, to a fun animal print for dinner or weekends, to a showstopper in brocade, this versatile jacket can take you just about anywhere! Try it with:

Or for a slinky entrance-maker:

Formal Introductions
v1527-pairingWith the holidays just around the corner, let’s finish with a formal look. This one comes from my friend Paco Peralta, a couturier in Barcelona, by way of Vogue 1527. This three-piece outfit includes a lovely straight skirt, a blouse with a jabot style tie and (this is what I adore) a long tuxedo style jacket. On the pattern, they show it in black and white. But for holiday, I love it with a rich red and black print blouse. It’s beautiful, and it evokes Spain! I would make this (actually I will make this) with these three fabrics for the tux, blouse and trim for the collar. From the top:

I hope this gives you a little inspiration, and I hope you’ve enjoyed reading it as much as I have putting it together for you.

Happy sewing!

Note: I have no affiliation with any of the pattern companies mentioned here, and I receive no financial compensation for mentioning their patterns or linking to them. In fact, they have no idea I wrote this post, so click away with a clear conscience!

Felicidades, Paco!!!!

My dear friend, Paco Peralta, couturier extraordinaire of Barcelona, was just published for the first time this week in the Winter/Holiday edition of Vogue Patterns. ¡YAY Paco! ¡Congratulations and felicidades!

Paco and I were internet friends for years, but I had the delightful opportunity to meet him and spend an afternoon with him, his sister, and our friend Vera when DH and I visited Barcelona a couple of years back. He is an absolute love, and his sister, Isabel, is just as wonderful. We had the greatest time, and I can’t wait to go back and see him again. Next time I’ll brush up on my Spanish!

I have to find the pictures with Isabel and Vera. Stupid Apple Photos lost them when it switched from iPhoto
I have to find the pictures with Isabel and Vera. Stupid Apple Photos lost them.

Continue reading Felicidades, Paco!!!!

Pattern Review: Vogue 7488 Men’s Vest

Friday is DS the Younger’s senior prom. His date is wearing a red dress, and since I am a fabulous mom, I told him I would make him a vest to wear.

Pattern Description: Lined vest has low armholes, shaped hemline and back belt. A: Notched collar and welt pockets. B: Double-breasted and welt pockets. C: Angled shawl collar and mock-welt pockets.

Sizing: Men’s XS to XL. I made a medium at the shoulders, tapering to a small at the waist.

Available as a PDF? No

Fabric Used: Greek Key Silk Blend Brocade in Bright Red from Gorgeous Fabrics (of course!)for the main fabric, red silk habotai (sold out, sorry, but you can find Other Colors Here) for the lining

Machines and Tools Used: Pfaff 2130 sewing machine, Naomi the Naomoto, ham, sleeve board, point presser, clapper.

Needle/Notions Used: Universal 70/10 needle, Pro-Weft Interfacing from Fashion Sewing Supply, D-ring from my stash, buttons from my stash (from the long-ago days of Fabric Fix in NH, sigh), thread.

Tips Used during Construction: Anything by The Pressinatrix, Make the Lining First.

Did it look like the photo or drawing when you got through? Well, not exactly. For one thing, the line drawing omits the stitching lines on the collar/lapel joint.

Also, the line drawing and photos indicate that there is a pronounced notch. But if you look at the pattern piece, the lapel is definitely curved.

There’s no stitching line indicated, so like a good little sewing automaton I followed the lines and notches. Also, from the pictures and line drawing, it looks like I sewed the lapel incorrectly to the collar, but again, I followed the notches and instructions, and this is what I got.

There is a distinct possibility of operator error on my part, since I was doing this after work and I’ve been running on fumes all this week. The good news is that he loves it as-is, so I’m not going to squawk.

How were the instructions? Um, okaaaaay… see my comments above.

Construction Notes: I sized the vest based on his measurements. One thing I didn’t realize in advance was that this pattern runs very long in the torso. I found that out after it was complete. I ended up taking up about an inch at the shoulders, so if you make this pattern, you’ll want to measure the front against the wearer beforehand to see if you have the same issue.

This pattern goes together quite easily. I debated about interfacing the entire front, since this fabric has a fair amount of body to begin with, but I decided to use Pam’s lightweight interfacing and it adds just the right amount of stiffness.

Likes/Dislikes: He loves it, so I’m happy!

Would you do it again? Would you recommend it? I might do it again. Then again I don’t get too much call for vests.

Conclusion: He’s thrilled so I’m happy. Here are pictures on Shelley. I’ll get pictures on him tomorrow night.

Front
Back

 

And the welt pocket

Happy sewing!

Pattern Review: Vogue 1374 Badgley Mischa Gown


Pattern Description: Close-fitting, lined, pullover dress has bias neck binding, shoulder yokes, back pleated drape with weighted tab, back extending into fish tail hemline.

Sizing: 6-22. I made a 14

Available as a PDF? No

Fabric Used: Sequined Designer Mesh – Gunmetal for the outer shell, Tricot Mesh Lining – Black (sold out, sorry) for the lining, and scraps of Swiss 4-Way Stretch – Black for bindings. All are from Gorgeous Fabrics, naturally.

Machines and Tools Used: Juki DDL8700 industrial machine, Juki MO2516N industrial serger, Reliable 3000IS iron/board, sleeve board, shoulder stand, ham, silk organza press cloth.

Needle/Notions Used: Universal 70/10, Serger 75/11 needles, thread, pennies

Tips Used during Construction: Tips and Hints for Working with Sequins, Make the Lining First, And Now, a Word from the Pressinatrix, Fear Not the Fabric

Did it look like the photo or drawing when you got through? Yes

How were the instructions? They were very good. This pattern is not difficult to construct, so I didn’t really need them.

Construction Notes: I made this dress for a photo shoot, so I made it straight from the envelope with no fitting adjustments. What a luxury! Because of that, I got to see how it sews up with no modifications, and it goes together beautifully. The upper back piece was a little longer than the lower back, which I discovered when I made the lining.

I took about 1/4 inch off the upper back at the CB fold when I made the sequined outer shell, and that seemed to fix the problem. I bound the armholes with Swiss 4-way Knit to protect the wearer’s skin.

This is better than tricot for protecting from irritation

I used two pennies as weights in the back cowl.

Just adding my two cents’ worth…
ba dum boom!

The toughest part of this was just psyching myself up to cut into the sequins. But once I started cutting, it went very smoothly. If you work with sequined fabric, I recommend using a rotary cutter with a fresh blade, and resigning yourself to the fact that your blade will go straight to the recycle bin after you finish.

Likes/Dislikes: This is a very straightforward pattern that leaves the wow factor to the fabric. It’s rated Average by Vogue, but I think it’s easy, if you use a plain knit. I think this would also look great cut to knee length, either in a sequined fabric like this, or even in a plain knit. It’s got that “business in the front/party in the back” vibe that you can exploit with a less showy fabric. Ooo, you know what else would be cool? To make it in a subdued fabric for the majority of it, but use just one blingy or beaded piece for the upper back and let it peek out. Kind of like what I did on the bodice of my Pippa Dress. How fun would that be???

Would you do it again? Would you recommend it? Yes and yes. I would probably make this in a less showy fabric for myself to wear.

Conclusion: This is a spectacular dress, if I do say. The pattern goes together beautifully. I love the subtle sexiness of the design.

Front
Side
Back
Sexy!

This dress will be used in a photo shoot (on a mannequin), then I am going to donate it to the Cinderella Project at my local high school. Hopefully some young lady will like it and will feel like a million dollars at prom this year.

Happy sewing!

Getting Back On That Horse

This has nothing to do with sewing. Last weekend I walked onstage for the first time in more than 6 years and performed, and boy, did it feel great! It was a one-song-wonder, as part of a larger gala to benefit our high school. I performed “No One Is Alone” from Stephen Sondheim’s “Into the Woods”. I didn’t realize how much I missed being onstage. I took a hiatus due to cancer and confidence issues, but once I walked out there, it felt like home. My friend Thaïs took a video on her iPad, thanks Thaïs! The video is a little overexposed (Irish skin under bright lights, go figure) but I think the audio turned out pretty well.

Keeping it Gorgeous Fabrics-oriented, I wore the Vogue 2237 Gown and Bolero by Badgley Mischka that I made 5 years ago – as an aside, YAY! It still fits!!!

The gala was a huge success, raising a lot of money for the music program and the marching band. DH and DS the Younger did a baritone saxophone duet, but I haven’t seen any videos of that yet. They did a great job.

Afterwards, DH and I went out for Scoobies at a local restaurant. It’s kind of fun the attention you get when you show up for an early dinner at the local nice restaurant in a fabulous gown and tux, respectively.

Post Performance Scoobies
Why, yes, I would love a glass of champagne!

A good time was had by all, it was fun to perform again, it was even more fun to see all the students performing – what a trove of talent!

I think I need to start singing regularly again. Next up sewing-wise, I’ll adjust the Kwik Sew pattern so I can make my cardigan from the Italian wool.

Happy sewing!