Wow, I just posted a picture of myself in my singing gig dress at another site, and I got smacked by a few people about its inappropriateness for singing at a mass. One person, who has never contributed to the site, wrote: “seems pretty low cut for a FBA at a Mass gig…with a presider and all”. First off, let me just say that I have never seen a mass without a presider and all. And I’ve sung at a whole lot of masses. They all had priests at them.
Someone suggested that I wear a camisole. You know, the picture of me in the dress is not a full front shot, so you can’t see how low cut or not it is. Fear not, I did a cleavage check before I left the house. I may tweak the nose of authority at times, but I know where the line is and I know how to stay on this side of it. And honestly, wouldn’t it be better to not take a judgemental stance on how people dress at church and just be glad they actually show up? Get a grip. I’m from Boston. My neckline, plunging or no, pales by comparison with the heinous crimes that have been perpetrated under the noses of the Church hierarchy.
Lighten up people. I’ll share something with you. The times I feel closest to God/Higher Power/Whatever you want to call it, is when I sing. And I am pretty sure that He doesn’t care about my dress:
What, and no one noticed the fishnets???????
My “Singing Gig Dress” provided instructional to me on several levels. First was the fit/matte jersey issue that I discussed yesterday on the Sewing Divas Blog. The second conundrum I ran into was the trim. The neckline of the dress is curved. The trim I used was a heavily encrusted, beaded trim that was backed with a lightweight buckram. This made it pretty inflexible.
So my quandary was, how to curve this to conform to the neckline edge without distorting the jersey dress? First thing that needed attention was the dress’ neckline. It needed interfacing to stabilize it. I thought about using a hair canvas on the facing, but between that and the buckram backing on the trim, I think it would have been too stiff and would not lay flatteringly against the body. Instead, I interfaced both the neckline and the facing with fusible tricot. This gave the support the trim needs but maintained the flexibility I want.
Once the dress was ready, I designed a template by tracing the neckline of the dress onto oaktag paper. I traced the entire neckline, including the back, and I decided to use that to shape and press the trim into shape.
After a very little experimentation (I didn’t have enough trim to do many tries), I realized that there was just no way to curve the trim around the back of the neckline. The beading and buckram made that impossible. So the trim only extends to the shoulders. I didn’t want to risk ruining the beading, so to press it into the shape of the collar, I worked from the back of the trim, with a silk organza press cloth and sparing amounts of steam. This took a fair amount of time, and I ended up sticking pins in the trim to hold it in place and set the shape while it cooled. The result was a good match for the neckline of the dress.
Once the trim was ready, I used a length of single-strand waxed thread to whipstitch it in place along the inner and outer borders. This project took a fair amount of time and patience, but like anything of this ilk, it was worth both. I’m quite pleased with the results.
Okay! It’s the fall, that means singing season is getting into full swing. I have two gigs coming up in as many weeks. One is at Tufts University’s Goddard Chapel. It’s just a half-hour recital at the noon hour, but what the heck. It’s a great chance to trot out some things, and it gives me the chance to work with the best accompanist in the Boston Area, Bill Merrill. Bill is also a great friend, and we have done work together in the past. Here’s a page with links to a recital we did together (with our dear friend Monique Argent, who is also a great musician). The week before that, I am going to be the soprano soloist for “Laudate Dominum” from Mozart’s Vesperae Solennes di Confessore – one of the most beautiful pieces in the choral repertoire. I am singing that for The International Catholic Stewardship Conference. It’s taking place in Boston this year and they asked little old me to sing for them. That’s kind of cool! I understand the presiding bishop at this shindig is going to be the number three guy at the Vatican. No pressure, right? Good thing the running joke about me isn’t “Bless me Father for I have sinned. It’s been 37 years since my last confession. Where would you like me to start?” Well, as my dear Daddy used to say, “He likes to hear from strangers.”
So of course, I need a new dress. Preferably one I can wear to both events. I have hit several of the recent pattern sales, and I decided to use this one, Butterick 4849. I’m going to do View C, the one with the closer fitting sleeves. It’s not as instantly dated as the “Duro” lookalikes, and I’ll be able to wear it for several seasons.
I’ll make it with a lovely matte rayon jersey I bought from my Darling Kashi at Metro Textiles in New York. I have three trims that I got from Heritage Trading on Ebay that will work. I’m going to use the middle one. The background matches the color of the jersey perfectly. It looks lighter in the picture, but that’s an artifact from the flash. Oh, by the way, Phyllis, if you’re reading this, I’m going to need some expert help on how to make this work!
Well, I’ll keep you posted. I certainly have enough projects to keep me busy for a month of Sundays.