Long one coming up! I love this type of blouse, and I have since I was young. When I saw Paco had included it as part of his Vogue Pattern V1527 I knew I would have to make it. Then this silk came across my desk and the rest is history…
Pattern Description: (From Vogue’s website) Loose-fitting blouse has collar extending into tie, back yoke extending into forward shoulder seams and French cuffs.
Sizing: 4-18, I made a 12
Available as a PDF? No
Note: Theresa pointed out that the pattern requires 3.5 yards and that seems like a lot. I pulled 3.5 yards per the instructions and I have a solid yard left over. I think the yardage requirements are wrong. Do yourself a favor, especially if you have an expensive fabric, and measure the pattern. Realistically, on a size 12 body, 2.5 yards of 45 inch fabric should do a blouse unless you have a very large print that you are trying to match.
White 3-ply Silk Crepe from Gorgeous Fabrics. Silk crepe is my favorite fabric to work with! This fabric is SOOOOOOO amazing. It’s got a heavy, luxurious drape to it, and it feels amazing. Swoon! I also used Wide Silk Organza – Off White for the cuffs (more on that later).
Even better, both these fabrics are still available! That almost never happens. I usually don’t get the chance to sew something until the fabric is long since sold out, so it’s a treat to show you a fabric that’s on the site. Did I mention we have our 10th anniversary sale going on right now? Get 10% off, plus US shipping is flat $10, regardless of how much you order! International peeps get a $10 gift certificate upon ordering, good for a future purchase.
Machines and Tools Used: Pfaff 2030, Juki MO654DE serger, Reliable iron and board, sleeve board, ham/stand, shoulder stand, pressing finger, bamboo chopstick, point presser.
Needle/Notions Used: Universal 60/8 needle in the sewing machine, Universal 70/10 needles in the serger. Vilene Shirt interfacing (a gift from Paco Peralta last year), pearl buttons, self-covered buttons, basting thread, thread, hand needles.
Did it look like the photo or drawing when you got through? Yes.
How were the instructions? They were fine. This is not a terribly difficult pattern. The fabric choice can make it tricky to work with, but it’s a good pattern for anyone who’s been sewing for a while. If you’re intermediate level you should have no trouble with this.
Construction Notes: I made a muslin to check the fit. It went together pretty readily, but I noticed that the bust point on the pattern was really high:
The pattern bust point marking is 8 inches from the shoulder line. I checked it against the printed pattern to make sure I didn’t make a transfer error. Nope. 8 inches. I don’t know anyone over about age 10 who has a bust apex 8 inches below the shoulder line.
I tried the muslin on to see if it mattered, and there was a slight drag line between the bust point and the armscye, so yes, it does make a difference, especially if you are large busted. I made a small FBA, mostly to drop the bust point down to where it should be. Drag line gone. I also shortened the sleeves about 5/8 inch, which is not unusual for me with Vogue patterns.
Vogue recommends lightweight fabrics like crepe de chine or charmeuse for this pattern. Because my silk crepe was heavier than recommended, I made some modification to the construction. They have you use French seams for the sleeve and side seams. I did a mockup to see what I thought of it with my 3-ply crepe.
With this fabric, that would put 8 layers of fabric into the seam at two points – where the yoke joins to the front and back. That’s a lot of bulk, so I decided instead to use standard 5/8 inch seam allowances and finish the raw edges with a 4-thread overlock.
This is a judgement call. If I had used a georgette or charmeuse, the French seam would be great, and would give an elegant finish. But my fabric was heavy enough that I think it would have been a bit of a disaster. I heartily recommend doing mockups with scraps when you are dealing with situations like this.
The pattern recommends using fusible interfacing. I decided instead to use sew-in interfacing. The Vilene that I used is nice and crisp, but I wanted to avoid bulk in the seams, so I cut both the Vilene and I also cut silk organza. I stitched the Vilene to the organza just outside the seamlines. I trimmed the Vilene close to the stitching, leaving just the organza seam allowances. Voila, less bulk!
I used purchased pearl buttons for the front closure
I made self-covered button cufflinks. I fused a scrap of lightweight interfacing to the silk to give it a bit more support and to make it easier to cover the buttons.
Likes/Dislikes: I love this pattern! It was a pleasure to sew, and the fabric was a joy to work with. The pattern is beautifully drafted and goes together without a hitch. Do test runs of your seams to see how the French seam works with your fabric.
Would you do it again? Would you recommend it? Yes I would, and yes I do! This is another winner from Vogue and Paco.
Conclusion: A beautiful classic, something that I will wear for years to come. At some point I’ll get a shot on me, but here it is on Shelley: